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Demo Lorena
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SYNOPSIS

When Lorena Morales fell in love with Miguel Ferrero, she never imagined that she would have to descend to hell and come up again in order to be by his side. Despite being rejected by her mother-in-law, Rufina de Ferrero, and the evident discomfort of the rest of the family, with the exception of Mateo, her father-in-law, Camila, her brother-in-law Gerardo’s wife, and Juan, another brother-in-law; her wedding takes place without major mishaps, however, destiny deals her a harsh blow: Miguel disappears during a pleasure trip on a boat, in the midst of a storm. Nothing is ever heard of him and Mateo, Juan and Lorena’s efforts to find him are fruitless. Lorena feels that her world crumbles; even more so now, when she finds out she is pregnant. She will have a child by the man she loves and that man might never know it. If it weren’t for her sister, Mariela, and her husband, Julio, who encourage her to forge ahead, Lorena would probably have given up. In the meantime, in a city on the Caribbean coast, fishermen have found a dying man, without identification documents nor signs that would help with recognizing who he is. Doctor Silvia Rivero receives him at the Punta Canela Hospital and, without realizing it, starts to fall in love with this stranger who, once he awakens, cannot remember his name or how he got there. Lorena’s pregnancy is declared to be high risk and, seeing that she did not have the opportunity to work and could not have access to her husband’s money since he has not been declared legally deceased for lack of evidence of his death, she has no recourse other than to go live with her in-laws’ family. There, she has to deal with Rufina’s indifference, her sister-in-law Rebeca’s disdain, and the discomfort of two of Rufina’s sons, Rodolfo and Gerardo, who see her as an intruder who wants to get her hands on Mateo’s inheritance. Lorena is actually not at all interested in the money or the last name, but Rufina does not want to run risks, considering that Miguel is Mateo’s only true son, a secret that nobody outside of the closest family members knows about. When Miguel finally gets his memory back, a long time has gone by, during which time Lorena has gradually started giving Juan her affection, without suspecting that man’s true intentions: he is only interested in her fortune. Rufina realizes that Miguel’s return would only complicate things so she makes sure that he remains far away from the family, making him think that his wife has rebuilt her life with Juan and that they are now happy and even have a child. Miguel and Lorena find themselves separated by force: she does not know that he is alive and he, doesn’t know that she is being deceived, but still dreams of the memories of her husband. But Silvia’s love for Miguel, Camila’s determination, her sister Mariela’s strength, and the tireless will of our stars, will overcome Rufina’s visceral hatred, Mateo’s death by the hand of his own wife and his step-son, Lorena being locked up in a rest home, an assassination attempt on her life, the kidnapping of her baby and the deceit of the rest of the Ferreros, to end up rejoining these two beings, whose love overcomes everything… even death.

TECHNICAL FILE

DESIGN AND PRODUCTION: RCN TELEVISION PRODUCTION

DATE: 2005

GENDER: TELENOVELA

ORIGINAL STORY: BERNARDO ROMERO PEREIRO AND JIMENA ROMERO

SCRIPTS: BERNARDO ROMERO PEREIRO AND JIMENA ROMERO

GENERAL PRODUCER: RCN TELEVISION

EXECUTIVE PRODUCER: LIZ YAMAYUZA P.

PRODUCTION MANAGER: CONSUELO SANTAMARÍA

PRODUCTION MANAGER: CATHERINE G. BRIDGE

DIRECTORATE GENERAL: RODRIGO TRIANA M.

MUSIC: FEDERICO LARUSSO

ART DIRECTOR: ROSARIO LOZANO

DIRECTOR OF PHOTOGRAPHY: FRANCISCO GAVIRIA

DIRECTORATE GENERAL: RODRIGO TRIANA

EDITION: GABRIEL GONZÁLEZ

SOUND: JORGE CARRASCO

COSTUME DESIGN: HELEN LUZ CARDENAS

MAKEUP DESIGN: JACQUELINE MAYORGA

DESIGN SETTING: SOFIA MORALES

STAGE DESIGN: JAVIER CARO

SCRIPTS ASSISTANT: GLORIA NANCY MONSON

DURATION: 126 X 60"

CAST

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Lincoln Palomeque is Juan Ferrero

 

The youngest of Rufina's children. Lover of the good life and luxuries, he has no qualms about continuing to live in the family home, despite his age, because he finds there is no point in leaving alone when he has the comforts he wants at home. It is the pride of his mother because, like her, he is a man who is not content with what life has given him, but who wants everything. His sympathy, softness and understanding, hide what he really is: cold, calculating, heartless, willing to pass over anyone, including his own mother, to get what he wants. It is like a chameleon, who "dresses" what suits him to achieve what he needs.

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Maria Cecilia Botero is Rufina de Ferrero

 

The good matron of the family married Mateo 28 years ago after both he and she had been widowed and Rufina had been left alone in charge of three small children: Gerardo, Rodolfo and Juan. Rufina is upset that her two older children are shy and without ambitions, very unlike Juan who inherited her character and is a man willing to do anything to earn everything that Rufina considers to belong to them by de-recho own. Rufina's relationship with Mateo is friendly, but hypocritical on her part: when they got married, there was love, but also ambition for Rufina, who saw in Mateo the security of a future with lots of money for her and her children. With her daughters-in-law, the relationship is as she wants, she handles them at will, and she hates Lorena since she met her because of her untamed condition. The best thing for Rufina would be that this daughter-in-law had not appeared and, even better, that Miguel, her stepson, did not exist.

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Diego Ramos is Miguel Ferrero
Lawyer, he is a legal advisor to the paternal company because he did not want to accept the executive position that Mateo offered him, but he has more power than his brothers since his father listens to his advice. He is a serene, optimistic man and adores his father, with whom he has a relationship that transcends that of father-son. He is starting to get into politics and a good future is predicted. He is a fan of deep-sea fishing and does not miss an opportunity to dedicate himself to his hobby in the company of his political boss, Alfredo Madero, on the latter's boat. Miguel is Mateo's son, but not Rufina's, who became his stepmother when he was 7 years old. The absence of a blood bond between Miguel and Rufina and their children (Gerardo, Rodolfo and Juan) is unknown to everyone, even to Lorena. It is a kind of family secret that Miguel really keeps unintentionally, because he grew up with the children of Rufina and for him they are like his true brothers, with whom he has a good relationship despite the fact that sometimes he perceives some resentment on the part of Gerardo and Rodolfo. With Juan, the relationship is closer, conflicts and shocks are sporadic and they maintain a cordial treatment. Miguel knows that at the death of Ma-teo he will inherit a lot of money, but the truth is that the inheritance does not interest him. He has a good job and does not have what his father left him to build a bright and comfortable future next to the woman he loves. But a return of destiny will make your dream truncate and close the doors of happiness for a long time.
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Coraima Torres is Lorena Morantes

 

She is a beautiful woman, soft, sweet, cheerful, but an entrepreneur and a strong defender of her principles. With the money that he inherited from his parents, already deceased, he promised himself to look for his future and studied Business Administration. He graduated and works for a small company. Her relationship with the only family part she has left, her sister, Mariela, and her husband, is very close and they are friends and confidants. Lorena met Miguel Ferrero when he represented the head of Lorraine in a legal case, they fell in love and agree to marry him, despite the opposition of his future mother-in-law, sure that he will be happy by his side. In a very few months, your happiness will become anguish and suffering and you will have to live a story that would not have occurred to you even in the worst of your nightmares.

DESIGN AND PRODUCTION: RCN TELEVISION PRODUCTION

DATE: 2005

GENDER: TELENOVELA

ORIGINAL STORY: BERNARDO ROMERO PEREIRO AND JIMENA ROMERO

SCRIPTS: BERNARDO ROMERO PEREIRO AND JIMENA ROMERO

GENERAL PRODUCER: RCN TELEVISION

EXECUTIVE PRODUCER: LIZ YAMAYUZA P.

PRODUCTION MANAGER: CONSUELO SANTAMARÍA

PRODUCTION MANAGER: CATHERINE G. BRIDGE

DIRECTORATE GENERAL: RODRIGO TRIANA M.

MUSIC: FEDERICO LARUSSO

ART DIRECTOR: ROSARIO LOZANO

DIRECTOR OF PHOTOGRAPHY: FRANCISCO GAVIRIA

DIRECTORATE GENERAL: RODRIGO TRIANA

EDITION: GABRIEL GONZÁLEZ

SOUND: JORGE CARRASCO

COSTUME DESIGN: HELEN LUZ CARDENAS

MAKEUP DESIGN: JACQUELINE MAYORGA

DESIGN SETTING: SOFIA MORALES

STAGE DESIGN: JAVIER CARO

SCRIPTS ASSISTANT: GLORIA NANCY MONSON

DURATION: 126 X 60"