Technical File

DIRECTOR: ROCIO CRUZ, MONICA CIFUENTES

SCREENWRITERS: DIEGO VIVANCO, ANDRES GUEVARA, JULIO CONTRERAS , ANA LUCIA GURISATTI

EXECUTIVE PRODUCER: LUIS EDUARDO CHACON

ART DIRECTOR: ANDRES VARGAS

COSTUME DESIGNER: JAQUELIN CAICEDO

MAKEUP DESIGNER: CLARA INES CUBILLOS

PHOTOGRAPHY DIRECTOR: ALIRIO FARFAN CALDERON, JUAN MANUEL RAMIREZ

PRODUCTION MANAGER: ENRIQUE AFANADOR, MARIA TERESA NUÑEZ

ASSISTANT PRODUCTION: DANIEL GALLEGO, JULIANA ZAPATA, BARBARITA HIGUERA ORIGINAL

MUSIC - HEADSTOCK: OMAR GELES

HEADSTOCK MUSIC: LOS CAMINOS DE LA VIDA

INTERPRETATION HEADSTOCK: VICENTICO

INCIDENTAL MUSIC: CONSTANTINO NUÑEZ

MUSICALITY: JAVIER GORDILLO

MOUNTING: MARCELA VASQUEZ AVIS

EDITING: LUIS FERNANDO GIRALDO

CABEZOTE-IN HOUSE: ALEJANDRO PRIETO

DURATION: 85 x 60”

Synopsis

After Manuel´s death, aka The Lion, leader of the Fist Fight gym, as a consequence of the wounds he got in the Gym´s fire, the young crowd, invaded with great pain but also in love with his memory and his hard work.
make a blood pact to rebuild the place and defend until the last consequences what they´ve dreamed of. Despite of the difficulties they have to face, they move forward with the idea of turning Fist Fight into everybody´s home, where even young kids that have made mistakes can pay their punishments.
In its space, a place where they meet to dream together, they swear to fight to change the reality they´ve had to live in and promise to never lose one of their “buddies” again. But they´re not keeping in mind that what they hate the most about the world they live in: lies, corruption and an environment full of everyday dangers, will put their project in danger, and worst of all, that they can become their own worst enemies.
Only time will tell who is willing to defend it with their hearts and who will forget the legacy that Manuel left them

Technical File

ORIGINAL IDEA: MIGUEL ANGEL BAQUERO

GENERAL PRODUCTION / SCRIPT: MIGUEL ANGEL BAQUERO, ELOISA INFANTE

JUNIOR SCRIPT: SANDRA VECINO

GENERAL DIRECTION: MARIO RIBERO

DIRECTOR: JOHN BOLIVAR

EXECUTIVE PRODUCER: NANA VELASQUEZ

CHIEF PRODUCER: AMANDA NEME

ART DIRECTION: ANDRÉS CAICEDO

PHOTOGRAPHY DIRECTION: JUAN CARLOS RODRIGUEZ

POSTPRODUCTION DIRECTION: PAOLA MEJIA

MUSIC: JUANCHO PULIDO - PABLO TEDESCHI

EDITION: LUIS PATIÑO

INCIDENTAL MUSIC: ANDRÉS LARA

ATMOSPHERE DESIGN: JAVIER CARDENAS

COSTUME: GERSON PARRA

MAKE UP: MARGARITA FORERO

SCENOGRAPHY: LILIANA CORTES - DANIEL ROJAS

PRODUCTION MANAGER: CATALINA BRIDGE

PRODUCT VP: FERNANDO GAITAN

DURATION: 51 x 60”

Synopsis

Five years later, life isn’t the same for most of the fun characters of the “Tiburon” neighborhood and the Cabrales family. Little is left of the times when all thanks to the marriage of Niña and Chepe Fortuna, the rich and the poor lived together within the luxurious neighborhood of “The Manglar”. Now, Chepe lives as an ambassador in India with his family; the Cabrales have settled in Miami, and the “Tiburon” neighbors have spent all their money and properties they had gotten to live like the rich, and now led by The “Celosa” (The Jealous), are back to being poor.
The Jealous isn’t jealous anymore; ironically, now she actually daily prays that a woman will get Bellaco off her back. To make a better live within their poverty, The Jealous and her daughter Cindy prepare beauty contestants for the local, popular pageants. The Jealous will get competition; the acclaimed gay designer Lucas de la Rosa, together with his wife, Queen Carolina, his mother in law Rosalia and his two small children Victoria and Doroteo, return to Colombia to open with fireworks Victoria House of Queen International, a national and international house for queens.
While The Jealous struggles multitasking; sewing dresses, making up choreographies, and training her pupils at her “queen ranch”; Lucas, Queen Carolina, and Rosalia, thanks to the enormous capital they have invested in their business, together with Bill Remington, a seductive American partner, spare no expense in the impressive office and hiring an expert staff. In other words, once again, in their way and within their status; all end up doing business within the same business.
In turn the controversial Venezuela imprisoned but completely "repented" of every evil caused to the Cabrales in the past, once again meets with Rosalía and Lucas. They are juries in the prison’s beauty pageant, where Venezuela participating as a candidate is elected the new sovereign of the jail. Venezuela publicly gains Rosalía’s forgiveness both in her name and that of her family. She also dreams that with the Cabrale’s good heart and her godson and lawyer Chencho Jurado’s tricks, she will one day be able to be a part of the house of queens that the Cabrales have created, in order to pay her sentence as an English teacher and carry out her vengeance plan against the Cabrales and her old enemy The Jealous. Pretty soon Venezuela’s dreams come true, just when the Cabrales’ nightmare begins, because they discover they were scammed by their partner Bill, who has left them ruined, full of debts, and in legal problems.
It is here when again rich and poor get together to help each other, and without having more remedy Lucas, Rosalía and Queen Carolina impeded to leave the country until they pay their debts join force with The Jealous one and their team, to create the new house of popular queens of the Caribbean.
Thus, while they prepare queens for the reign of the panela, the cattle, the dividivi etc, they obtain the money to survive and to pay debts and of course leading to the different histories of love that will begin to be woven to the interior of the house.
Family relations, delirious situations, candidates with own stories and a house that more than with queens seems filled with lunatics; they are all part of the ingredients of this novelized comedy for all ages. With the characters from Chepe Fortuna, the soap opera with the highest rating in 2011 in Colombia and with the same coastal boldness, House of Queens promises to crown to all the audience with romance and a lot of humor.

Technical File

EXECUTIVE PRODUCER: JORGE SASTOQUE

DIRECTION: LILO VILAPLANA, RICCARDO GABRIELLI, KLYCH LOPEZ

PHOTOGRAPHY DIRECTOR: CARLOS ANDRÉS HERNÁNDEZ, JULIÁN TORRES

DIRECTION ASSISTANTS: MÓNICA BOTERO, ÉDGAR BEJARANO, ALEXANDRA ROCHA, DIANA SARMIENTO

PRODUCER: MARÍA FERNANDA BATEMAN ROJAS

PRODUCTION: ALFONSO PEÑALOZA, ALEXANDER CUBEROS, RICARDO BUSTOS

FIELD PRODUCTION: HUGO VIDARTE, JULIANA ECHEVERRY

DIRECTION ASSISTANTS: MARÍA ALEJANDRA DELGADO DUARTE, MARCELA ANGULO, FABIÁN GÓMEZ

SCRIPT: ANDREA BASABE, MARISOL GALINDO

DURATION: 76 x 60”

Synopsis

Many things have happened since the day in which the greatest drug lord of them all: Pedro Pablo Leon Jaramillo, started a war against the government, a war that had him to the border of death and that now has taken him to enter the entrails of the country where few have dared to face. Trying to recover his family, El Capo will challenge the United States of America by outsmarting the most relentless security in the world.
Taking advantage of all his wit and power, the Capo will build a submarine that will lead him to discover that the love of his life and the mother of his children, doesn´t love him anymore.
In the middle of this odyssey, the Capo will be submerged in the bloody gang world of “the maras 7” and will end up declaring war on the powerful Mexican drug lord Pacifico Blanco; on the way he will meet Bruna, a beautiful and dangerous assassin who seems to have everything he needs to fall in love with her. But she won´t be the only woman willing to do anything to win a place in the Capo´s heart: there is also Mariale, an attractive nurse that will change her life in order to be by Pedro Pablo´s side.
Decided to ruin Pacifico Blanco, the Capo will do the unthinkable and will join forces with his most fierce enemy, agent Velandia, who will be forced to choose between his vengeance and his honor.
Only then will Pedro Pablo realize he is not far from accomplishing what he always dreamed of: his redemption.

Technical File

DEVELOPMENT VP: JUAN PABLO POSADA

PRODUCTION MANAGER: ANDRÉS POSADA, GENERAL PRODUCER, ANDREA MARULANDA

DEVELOPMENT DIRECTOR: CAMILA MISAS ORIGINAL

STORY AND SCRIPT: RAFAEL NOGUERA, ANA MARÍA LONDOÑO, JUAN ANDRÉS RENDÓN

DIRECTORS: ISRAEL SÁNCHEZ, JUAN FELIPE CANO

PRODUCER: LEONARDO BARÓN

GENERAL ART DIRECTOR: JUAN FERNANDO PÉREZ

ART DIRECTOR: FRANCISCO ARBELÁEZ

PHOTOGRAPHY DIRECTORS: MAURICIO CADAVID, OSWALDO RAMÍREZ

DURATION: 85 x 60”

Synopsis

Justice is their only objective. Death is part of their duty. Only love is able to scare them.
Raul Avila decides to become a police officer after witnessing his father’s death, a respected sergeant, and decides to catch his murderer. Raul graduates with honors as second lieutenant and is assigned to be in charge of one of the most difficult areas of Bogotá. On his first day of work he faces the real dangers of his profession: Gongo, his father’s murderer, escapes from jail while he tries to save the life of noncommissioned officer Diana Ochoa, his partner, who has been kidnapped in order to distract the police while the convict runs freely. Raul, in a risky and rookie move, hits Diana’s kidnapper with a well-aimed shot, but this action places the officer at evident risk and she reproaches his lack of judgment. She, with a lower rank but much more experience, resents that he has made evident one of her biggest secrets: her severe panic attacks.

These episodes of fear are what’s left from the trauma that she suffered six years back when she confronted the guerrilla and witnessed the death of many of her partners and kidnapping of so many others, among them Vicente Yañez, her boyfriend. After struggling for hours, Diana was the only survivor, and few days later she discovered she was pregnant. The time has passed and Diana is now a single mother that patrols the streets, while at her house, her mother and her little daughter think that her job is safe and she’s working behind a desk at the Police Station.

The evident conflicts between Raul and Diana start being solved as she finds the support and affection that she has been lacking of since Vicente was kidnapped and she decided to put her feelings on hold. On his part, with Diana’s help, rookie Raul tries to capture Gongo again and with every hard step of his learning process he starts becoming a professional. In a constant job that makes them even closer, Raul and Diana are able to determine that the most dangerous criminal actions in the city are originated in the sophisticated criminal structure leaded by Gongo.

The investigation takes Raul to discover that his true enemy is that who says is his best friend: Neme Solipa. This motorcycle mechanic grew up with Raul as his brother, but is really Gongo’s accomplice of robbery, extortion, and murder criminal network leaded by him. He is also Marcela’s boyfriend, the women that broke Raul’s heart during his youth. Solipa loves her crazy, but Marcela’s heart keeps being Raul’s, and Solipa could not forgive them. Life takes a new path when it is known that Vicente has escaped from the guerrilla. There is fear that he has not been able to survive to the dangers of the jungle, and finally, after four months without news, Vicente is considered dead. In this way, and after six years of solitude and sadness, Diana ends her grief and let’s her feelings for Raul go loose. However, destiny has a difficult surprise in store: Vicente is alive and is rescued in a Police operation to return to everyone’s life.

Technical File

GENERAL PRODUCTION: STELLA MORALES G.

DIRECTORS: WILLIAM BARRAGAN & RICARDO GONZALEZ.

CREATIVE DIRECTOR: MAURICIO GUERRA.

CASTING: LUIZI AGUDELO.

ART DIRECTOR: CRISTINA SARMIENTO.

ASSISTANT DIRECTION: OMAR TERAN.

PRODUCTION: LUIS ALEXANDER MONTOYA, PATRICIA LIZCANO & ALEJANDRO TORRES.

SCRIPTS: JAIME ARTURO DÍAZ, MARIO FRANCISCO JAIMES, SANDRA LORENA PÉREZ, RICARDO FORERO, AURA MARÍA NIÑO, CLAUDIA LILIANA GARCÍA, FERNAN MAURICIO RIVERA, SANDRA RITA PAVA OROZCO. EDITOR: DIEGO RENÉ GARCIA. MUSICALIZATION: JOHN JAIRO VARGAS & GUILLERMO LÓPEZ.

DURATION: 60 x 60”

Synopsis

Behind a classified ad there is story to tell, there are strange, curious, fun, and surprising ads. “Classified Ad stories” is a series with a touch of humor and charm that reveals every day drama that happens to people next door, but must of all people who have been forced to place a classified ad to solve their economic, sentimental, labor, or family problems.

There are different types of stories based on the variety of ads that you will find in a tabloid or a national newspaper such as family conflicts, couple problems, job searching, beauty obsession, love search, bankruptcy, legal problems, or ads offering a magic solution for your problems, among others. In “Classified Ad stories” you will see how the characters sell their feelings and how they are renting, buying, and exchanging their happiness on each story.

STRUCTURE
During an initial sequence of two minutes the plot of the story and leading roles are presented, followed by a still screen of the classified ad which leads you to what the episode will be all about. The plot is developed in a classic structure of two twist points and a climax point, ending into a new classified ad as a conclusion in which the consequences of the story are shown.

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